Jaguar XJ220 interior by Vilner

Would you let someone mess with the interior of your limited edition, extremely rare, high-value, mid-nineties supercar. Probably not. But someone has. The Bulgarian tuning firm Vilner has been commissioned by an unknown Jaguar XJ220 owner to create an updated bespoke interior.

Leaving aside the fact the resale value of the XJ220 (of which only 275 were built) has probably taken a hefty hit, Vilner’s changes are actually quite tasteful. They haven’t messed with the design too much, and the colors are nice and muted. The alterations are limited to making the interior a little more contemporary, and a little less plasticky.
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Jaguar Mark 2 redesigned by Ian Callum

Jaguar Mark 2 by Ian Callum

Now lightly modified, or resto-mod, classic cars are nothing new. In fact they’re so common that they’re only really worth mentioning in exceptional circumstances. This is one of those circumstances.

The original Jaguar Mark 2 was a luxury sedan built from 1959 to 1967. It was a handsome car and sold in good numbers. Interestingly it was particularly popular with both UK criminals and law enforcement alike, mainly because of its speed, but also because of its spacious interior – which was capable of carrying five adults in comfort.

This particular Jaguar Mark 2 is a little different. First off it’s owned by Jaguar’s design director Ian Callum. And secondly it’s far from standard. Callum redesigned the Mark 2 to his own specification, restyling the exterior, interior, and upgrading the drivetrain and chassis. The car took 18 months to build, and all the work was carried out by Classic Motor Cars Limited (CMC).
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Jaguar and Bremont create E-Type inspired watch

Jaguar Bremont Lightweight E-Type Watch

To celebrate the launch of the six new lightweight Jaguar E-types to be built by Jaguar Heritage, the company have teamed up with the British watchmaker Bremont to create limited edition watch which will be offered to buyers of the new E-types. Just six watches will be built.

The Jaguar/Bremont chronometer watches are inspired by the black dial from the Lightweight E-types tachometer. The chamfered hour and minute hands are designed to emulate the needle on the tach, while each watch also features the unique engine number of the car it is paired with.
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1923 Persu Streamliner

In the early part of the 20th Century, automotive designers were just starting to understand the benefits of aerodynamic bodywork, although at the time it was called ‘streamlining’. Streamlining was still a pretty new idea, most manufacturers still made their cars in the shape of  a box, with a vertical front grille and windshield and quite literally no attempt was made to manage or control the flow of air around the vehicle.

Aurel Persu was one of the first men to understand the importance of aerodynamics. Born in Romania in 1890, he was a graduate of the Royal Technical College of Charlottenburg in Berlin. Persu was inspired by the simple raindrop, and wanted to create a vehicle which had a similarly low drag coefficient. His masterpiece was the Persu Streamliner, a teardrop shaped vehicle with aerodynamic bodywork and wheels which were set within the body – as opposed to sticking out, like on most other vehicles of the time.
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Tesla-based Icon Helios

Icon Helios

Icon are a US-based company who specialize in rebuilding classic 4x4s – including the Ford Bronco, Jeep CJ7 and Toyota Landcruiser – and fitting them with the latest technology, drivetrains and equipment. They also do other stuff, like building what look like decrepit, rusting old cars, but underneath are high-powered modern drivetrains.

However Their latest project would take them from being a car restoration company, to being a car manufacturing company. Icon’s founder and boss Jonathan Ward is currently in the early stages of designing a stylish streamliner-inspired automobile called the Icon Helios, after the Greek god of the Sun.

The styling of the Icon Helios is influenced by aircraft and automobiles, from the 1930s. It features a curvaceous unpainted aluminium body, with much of the engineering left on show, like the individual rivet heads.
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Napier-Railton Revival Concept

Napier-Railton Revival concept

The original one-of-a-kind Napier-Railton was a beast of a car. Built in 1933 by Reid Railton for the British racing driver John Cobb, the Napier-Railton was powered by a 24-litre aircraft engine which produced 580 horsepower. The transmission was a three-speed non-synchromesh manual gearbox which sent power to the rear wheels. Interestingly the car only had brakes on the rear wheels, despite the fact it has a 168 mph top speed!

From 1933 to 1947 the Napier-Railton broke no less than 47 World speed records. The car is currently owned by the Brooklands Museum, and it is kept in perfect running order.
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Vote: Classic face-off – Luxury barges from the past

Mercedes-Benz vs Rolls Royce

Classic face-off is a feature where we show you a couple of similarly priced classic cars from the same era, and you vote for the one you find most appealing.

In this round we have a couple of vehicles which at some point in their lives could have been described as fine luxury automobiles. Now however they could euphemistically described as “fixer-uppers”. Just over a decade separates their production dates, although perhaps surprisingly its the older car which seems to have had an easier life. One is a finely honed German machine, the other was cobbled together by Englishmen toiling away with hand tools and overcoats. Both of them offer character by the bucketload.
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Retro Concepts: 1955 Lincoln Indianapolis Exclusive Study

1955 Lincoln Indianapolis concept car

In 1955, Ford’s luxury division, Lincoln, flirted with the idea of building a sports car. The bodywork of the Lincoln Indianapolis Exclusive Study was  developed by the Italian coachbuilding company Boano. It was based on a Ford chassis, and the car’s styling was penned by Gian Paolo Boano, the son of the company’s founder.

The Lincoln Indianapolis was unveiled to the world at the 1955 Turin Motor Show in Italy. It featured aviation-inspired styling, stacked headlights, large lateral air intakes and a streamlined cockpit. It was painted in an extremely eye-catching bright orange hue and topped off with numerous chrome trim elements.
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1973 Audi Asso di Picche concept by Italdesign

Audi Asso di Picche concept by Italdesign

In the 1970s, car design was all about the angular wedge. “Make ’em pointy and they will sell” was the motto of car designers at the time. Actually it wasn’t. But it may as well have been. Italdesign was no exception, in fact they were one of the champions of the wedge design. And when they designed a four-seater sports coupe for Audi in 1973, how could it be anything else.

The Audi Asso di Picche concept by Italdesign was based on an Audi 80 platform. Although interestingly it wasn’t Audi who commissioned the car, it was in fact designed at the request Karmann Coachworks. Karmann hoped that they could get Audi interested enough in the car to get them to order a limited run which Karmann would then manufacture for the company.

The styling of the Audi Asso di Picche (Italian for Ace of Spades) was partially inspired by a previous Italdesign concept, the Boomerang supercar – which had been designed for Maserati a couple of years before. However for the Asso di Picche the extreme styling and unusual window configuration of the Boomerang was ditched for something a bit more sensible.
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Retro Concepts: 1956 Pontiac Club de Mer

Pontiac Club de Mer concept 1956

After the Second World War, car designers started to get really creative. Many became obsessed with trying to make their creations look like wingless fighter jets, adding fake jet-engine like air intakes and numerous fins and wings. The 1956 Pontiac Club de Mer concept was no different. Except for the fact it didn’t look too over the top.

The Pontiac Club de Mer de mer (Sea Club in French) was designed at GM’s then brand new Technical Center under the leadership of the company’s superstar car designer Harley Earl. It was conceived as a racing-inspired sports car which would offer, comfort, performance and style. Paul Gillan, the head of the Pontiac Styling Studio and his team of designers then got to work coming up with hundreds of sketches and proposals. Based on feedback from the top brass, the designers made amendments and changes to the concept before moving on to develop a full-size clay model.
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